Art 1A
Foundation in Visual Arts
Lecture: mw 1.30-3.35 in Arts 1344
Section: m 4.00-5.25 in Arts 1344
office Hours: mw 12.00 in Arts 1344
Week 1 representation and intertextuality
July 23 - Class Agenda

First things first: liability forms for anyone who hasn't submitted yet

Introductions getting to know each other

I'll start: I'm Emily, she/her pronouns, second year MFA student from Atlanta, GA. I currently really like shadows.

Some things you might share:

• Your name and pronouns

• Where you're from

• What brought you to this class

• A texture that made you stop and look recently

Field trip logistics carpooling coordination

We'll organize who has access to a car and set up carpooling groups for our upcoming field trips.

people who have a car:

--> mary jo --> hannah --> natalia --> gabby --> henry --> thalia

course expectations & policies

Attendance Policy:

Attendance is mandatory. 3 or more unexcused absences will result in failing the course. I will email you after your 2nd unexcused absence.

Lateness: If you're more than 10 minutes late, I will count you as absent. Please contact me beforehand if something is happening and you need an extension or accommodation.

Discussion Etiquette: This section will mostly be workshopping and Socratic discussion based. openness to exploring ideas and viewpoints that differ from your own is critical. this is the basis of academia. Please take a moment to pause, reflect, give others the benefit of the doubt, and try to understand where others are coming from.

approach to readings

Come to class having read these texts! I will tell you which texts we will be focusing more of our time each week.

Context is key: When reading, identify the context these authors are coming from (their country, time period, ideology) What was happening around the author as they were writing this piece? Understanding the historical and cultural moment can reveal the text's meaning and significance.

Think critically about the argument the author is making:

• Can you think of a counter argument?

• Is the author omitting key information from their texts?

Think about the canon: everything is in conversation with each other.

Assignment Due Wednesday

3-part writing assignment:

1. 1-page summary of Carl Matheson: "The Simpsons, Hyper-Irony and the Meaning of Life"

2. 1-page summary of Kelly L. Richardson's "Simpsons Did It!": South Park and the Intertextuality of Contemporary Animation

3. List a few interesting ideas from Michel Foucault's This is Not a Pipe

What is a summary?


"Objective: to identify the key points, and sub points, of the text(s) to your reader. Generally, does not include personal opinion and is written in the third person."

Submission: PDF format with proper Chicago citations (footnotes + bibliography)

Writing expectations:

1. Your writing should include citations or footnotes. It should NOT be a huge quote that only takes up half of a page. Try to integrate quotes into your writing.


We'll spend section time developing your writing skills through weekly assignments that build toward your research paper.

2. Write in complete sentences. Proofread. Do not use an LLM. this is for your benefit towards learning how to write. I will know. I'd rather read a messy paper than a generated one.


all of these texts are available in your course reader (you can go buy at the associated students or access via library reserve). if you have not yet picked one up i've linked a few of them below.


Carl Matheson: The Simpsons, Hyper-Irony and the Meaning of Life
Kelly L. Richardson: "Simpsons Did It!": South Park and the Intertextuality of Contemporary Animation
Joanna Woods-Marsden: "Cindy Sherman's Reworking of Raphael's 'Fornarina' and Caravaggio's 'Bacchus.'"
Michel Foucault: This is Not a Pipe excerpt
Scott McCloud: The Vocabulary of Comics excerpt